by David Hare
Directed by Jim Petosa
Jim Petosa is Professor Emeritus with Boston University’s College of Fine Arts. He served as a professor and as director of the BU School of Theatre from 2002 – 2018. He also served as artistic director of the Boston region’s New Repertory Theatre from 2012 – 2018. Petosa has directed Tom Stoppard and André Previn’s Every Good Boy Deserves Favour at NYC’s Town Hall and the operas Carmen (Peter Brook adaptation) and The Man Who Mistook His Wife for a Hat among others. PTP/NYC credits include Monster, Spatter Pattern, A Question of Mercy, Therese Raquin, Somewhere in the Pacific, Marisol, Dog Plays, Statements After an Arrest, Good, Brecht on Brecht, among others. He also served as Artistic Director for the Olney Theatre Center, where directing credits include Democracy, Racing Demon, Brooklyn Boy, Copenhagen, The Laramie Project, Art, The Miracle Worker, Jacques Brel is Alive and Well and Living in Paris (won a Helen Hayes Award for Outstanding Musical Production), Theatre J’s Collected Stories (received a Helen Hayes nomination for Outstanding Direction), and Look! We Have Come Through! (Charles MacArthur New Play nomination, Co-created with Carole Graham Lehan). A member of the Actor’s Equity Association and the Society of Directors and Choreographers, and the Becket Arts Center Board, he teaches acting and directs for the Boston University Opera Institute.
◊ member of the Stage Directors and Choreographers Society
º member of United Scenic Artists, Local USA 829